『一個長鏡頭4000多個特效』 雙子殺手 - 電影
By Lucy
at 2019-07-26T14:37
at 2019-07-26T14:37
Table of Contents
新聞網址:
https://www.worldjournal.com/6409123/article-%E3%80%902%E5%BD%B1%E9%9F%B3%E3%80%91%E6%9D%8E%E5%AE%89%E5%86%8D%E7%AA%81%E7%A0%B4-%E5%A8%81%E7%88%BE%E5%8F%B2%E5%AF%86%E6%96%AF%E5%9B%9E%E6%98%A5%E6%89%93%E8%87%AA%E5%B7%B1/
片中出現的老少兩個威爾史密斯並非只是簡單的換臉,
而需同時出演兩個角色,並通過動作捕捉技術,
由特效團隊製造出年輕版的他。
李安也堅持本片用3D、120fps的拍攝手法,讓畫面更為清晰,
呈現出層次感。這更為特效師增加難度,因為人物毛孔都看得很清晰,
根本無法隱藏,所有鏡頭都要做到最完美。李安同樣喜歡長鏡頭,
一個動作場面中的長鏡頭下來居然要做4000多個特效,
比某些電影一整部還多!李安表示:「之所以要不斷挑戰自己,
是為把觀眾帶回電影院,要給他們在家看電影完全不同的感受。」
https://youtu.be/wyMy4jJB_Ys
--
https://www.worldjournal.com/6409123/article-%E3%80%902%E5%BD%B1%E9%9F%B3%E3%80%91%E6%9D%8E%E5%AE%89%E5%86%8D%E7%AA%81%E7%A0%B4-%E5%A8%81%E7%88%BE%E5%8F%B2%E5%AF%86%E6%96%AF%E5%9B%9E%E6%98%A5%E6%89%93%E8%87%AA%E5%B7%B1/
片中出現的老少兩個威爾史密斯並非只是簡單的換臉,
而需同時出演兩個角色,並通過動作捕捉技術,
由特效團隊製造出年輕版的他。
李安也堅持本片用3D、120fps的拍攝手法,讓畫面更為清晰,
呈現出層次感。這更為特效師增加難度,因為人物毛孔都看得很清晰,
根本無法隱藏,所有鏡頭都要做到最完美。李安同樣喜歡長鏡頭,
一個動作場面中的長鏡頭下來居然要做4000多個特效,
比某些電影一整部還多!李安表示:「之所以要不斷挑戰自己,
是為把觀眾帶回電影院,要給他們在家看電影完全不同的感受。」
https://youtu.be/wyMy4jJB_Ys
--
Tags:
電影
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