如果30歲還是處男(略)Real Sound劇評 - 日劇
By Freda
at 2020-12-10T16:33
at 2020-12-10T16:33
Table of Contents
https://realsound.jp/movie/2020/12/post-670332_2.html
文章作者：藤原奈緒小姐
赤楚衛二×町田啓太的“焦躁感”就是現實世界本身
「櫻桃魔法」描寫了喜歡上一個人這件事
摘要
片頭描寫黑澤與安達各自的早晨。
兩個世界以冷色與暖色區分開，兩人各自向空中伸出手，
這種好像快要碰觸到卻又沒碰到的兩個世界的焦躁感，就是我們所處的現實。
在網路上與疫情中都可見安達、黑澤、藤崎的害怕或迎合他人，
顯得這部戲中安達有了魔法之後試著靠近他人是件難能可貴的事。
有了魔法之後發現原來別人也會煩惱嫉妒焦躁。
這部作品讓人再次領悟到戀愛的美好之處，
只要有一個人好好地把自己看在眼裡，也許就得救了。
故事中透過角色們的苦惱，
表現現代戀愛的多樣性與舊有價值觀之間的對立。
--
文章作者：藤原奈緒小姐
赤楚衛二×町田啓太的“焦躁感”就是現實世界本身
「櫻桃魔法」描寫了喜歡上一個人這件事
摘要
片頭描寫黑澤與安達各自的早晨。
兩個世界以冷色與暖色區分開，兩人各自向空中伸出手，
這種好像快要碰觸到卻又沒碰到的兩個世界的焦躁感，就是我們所處的現實。
在網路上與疫情中都可見安達、黑澤、藤崎的害怕或迎合他人，
顯得這部戲中安達有了魔法之後試著靠近他人是件難能可貴的事。
有了魔法之後發現原來別人也會煩惱嫉妒焦躁。
這部作品讓人再次領悟到戀愛的美好之處，
只要有一個人好好地把自己看在眼裡，也許就得救了。
故事中透過角色們的苦惱，
表現現代戀愛的多樣性與舊有價值觀之間的對立。
--
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