對跳場景該如何編寫? - 編劇

Olive avatar
By Olive
at 2010-07-28T20:11

Table of Contents



※ 引述《vitte (天堂 咫尺可及)》之銘言:
: 請問各位創作同好:
: 我們通常被教導"單一場次情節須於單一場景內發生"
: 凡是場景一更換 就要進入下一場次
: 但是
: 若面對「打電話情節」或者「A/B時空同時進行情節」
: 究竟該如何處理?

沒什麼特別的寫法,就用簡單的文字說明,讓劇組了解就好:

如:

在三角形後寫一句,多景順剪以下場景:

A. 管線 / 日 - 人物:ETHAN 與 KRIEGER
B. 電腦室 / 日 - 人物:分析師

然後開始寫劇本時,在每個三角形後,註明A或B, 或直接把管線:或電腦室:寫進去
就好了~

: 例如:
: 電影【不可能的任務】
: 常常會出現 夥伴在箱型車上看監視器、下指令
: 阿湯哥在大樓裡戴耳機聽指令 躲避敵人兼不斷挺進的狀況
: 這兩個時序同時併進 但空間卻相隔兩地
: 可能箱型車同伴下兩句指定 阿湯哥就跑兩步遇到一個狀況
: 阿湯哥打一打殺一殺後 箱型車同伴又繼續給予指示
: 請問這種場景不斷對跳的場面
: 劇本究竟該怎麼寫??
: 難道我可以在場景說明時
: 直接寫「場景:箱型車內(夥伴)+CIA大樓樓梯間(阿湯哥)」嗎?
: 還是每個單一場景都要分開寫?
: 懇請知情者指正
: 感激不盡!

你提到了不可能的任務,何不看看人家怎麼寫?

http://www.imsdb.com/scripts/Mission-Impossible.html


它沒分段/分頁/分場次,請 ctrl+F 找到第一個關鍵字:RAT(老鼠)

我們來看看經典的偷密碼戰在劇本裡是怎麼寫的~

這場戲從尚雷諾在管道間裡看到老鼠開始:

有四個場景:管道 Duct
電腦室 Computer Room
救火車 Fire Truck
男廁所 Men's

切換場景,無論那場戲是不是單鏡頭,編劇也只是寫:INT. (反正導演自己會剪)

滴汗那場戲,他只也只是加了 -- 而已~

人物:Krieger / 尚雷諾
Ethan / 阿湯哥
Luther / 黑人電腦專家
   TECHNICIAN / 一直在吐的白人電腦管理員(CIA ANALYST)


==========

INT. DUCT - DAY


KRIEGER shakes with the strain of holding the rope. His eyes
suddenly widen as he sees something next to him.

It's a rat. KRIEGER stares. The rat stares back. Neither
moves. Puzzled by KRIEGER'S lack of response, the rat crawls
forward, inquisitive.

KRIEGER's eyes water, his nose twitches. He's about to
sneeze.


INT. FIRE TRUCK - DAY


LUTHER pulls himself together and WHISPERS another command
into the microphone.

LUTHER
You've done it. Eject it.


INT. CIA - COMPUTER ROOM - DAY


The 3.5 disk is ejected from the floppy drive. ETHAN pockets
it and signals to be raised.

Slowly, his body starts to move up. As it does, a bead of
sweat rolls down his nose, balling at the tip.

ETHAN ignores it. But below him, he sees the floor tiles,
four of them lit up under the wheels of the chair at the
computer terminal.

His eyes widen as he realizes something --

--the drop of sweat falls --

--and he catches it with his right hand.



INT. CIA - MEN'S - DAY



CIA ANALYST crosses corridor from restricted access door to
bathroom.

A toilet FLUSHES, smashing the silence, and the TECHNICIAN
staggers out of the bathroom. He goes to the sink and throws
some water on his face. He's still unaware of the piece of
shiny metallic tape stuck to his shoulder blade.

He walks out of the bathroom, crosses corridor to door.

INT. FIRE TRUCK - DAY

On one of LUTHER'S laptops, the blinking cursor starts to
move down a corridor. LUTHER speaks into his microphone.

LUTHER
He's rolling. Get moving!

INT. CIA - COMPUTER ROOM - DAY

ETHAN is near the ceiling, but KRIEGER isn't pulling any
more. ETHAN looks up at him, wide-eyed and gestures to pull
him up. KRIEGER shakes his head no.

ETHAN gestures -- "WHAT?!"


INT. FIRE TRUCK - DAY


The cursor is halfway across the screen.

LUTHER
Get out of there -- get out of there --


INT. CIA - COMPUTER ROOM - DAY


ETHAN still dangles. Holding the rope with one hand, KRIEGER
holds out his other, demanding something. He wants the disk.


INT. CIA CORRIDOR/GUARD STATION - DAY


The TECHNICIAN makes his way back down the corridor, toward
the computer room.


INT. FIRE TRUCK - DAY


The blinking cursor is near the edge of the screen and LUTHER
is sweating.


LUTHER
He's at the vault - get moving! 1
yellow, 2 yellows...Toast!


INT. CIA - COMPUTER ROOM - DAY


ETHAN, still hanging upside down, has refused. KRIEGER
demands again.


INT. CORRIDOR/GUARD STATION - DAY


The TECHNICIAN passes through the optometric scanner.


INT. FIRE TRUCK - DAY

LUTHER
You're not moving!


INT. CIA - COMPUTER ROOM - DAY


ETHAN is hoisted up.


INT. FIRE TRUCK - DAY

LUTHER
Phew! (to himself) NOC list.


INT. CIA - COMPUTER ROOM - DAY


ETHAN has the diskette in his mouth. KRIEGER leans down and
takes it. He drops the knife.


KRIEGER
Merci.

ETHAN
We're not outta here yet.


INT. CIA - COMPUTER ANTEROOM - DAY


The TECHNICIAN deactivates the alarm systems, swings the
door open and comes back into the room.

He turns to close the door behind him and in so doing just
misses seeing ETHAN'S head as it is pulled back up into the
ceiling.

CUT TO:


INT. DUCT - DAY

ETHAN throws smoke cannisters and he and KRIEGER crawl
frantically back through the duct, the way they came.


INT. CIA LANGLEY - LOBBY - DAY

CLAIRE walks quickly past the GUARDS in the reception area
and out of the building.


INT. CIA - COMPUTER ROOM - DAY

The TECHNICIAN enters the room and shuts the door. He sees
the knife, picks it up, looks at it and then puts it down.
He resumes his work at the computer but when he punches up
his program, something prints out on his screen. Its header:


KEYSTROKE LOG -- FILE DOWNLOAD
11/18/95 9.58 AM


And it goes on. The TECHNICIAN'S eyes widen in disbelief.
He spins back in his chair and reaches for the nearest
telephone.




--
seek the truth, follow the lies.

http://heimystudio.pixnet.net/blog 程見的創意工廠

--
Tags: 編劇

All Comments

Yedda avatar
By Yedda
at 2010-07-31T12:43
好專業的回覆,感恩!此外,請問INT是甚麼字的縮寫啊?
Skylar Davis avatar
By Skylar Davis
at 2010-08-04T09:55
Insert: 插入
Olivia avatar
By Olivia
at 2010-08-07T01:31
是Interior(內景)...insert不是這樣用的.....
Kama avatar
By Kama
at 2010-08-11T23:07
哈,那我學到錯誤的資訊了,多謝指教^^

這樣需要分兩場嗎?

Sierra Rose avatar
By Sierra Rose
at 2010-07-28T11:11
※ 引述《w854105 (水瓶男)》之銘言: : 影片常常會出現這樣的橋段: : 先是建築物的外觀和街景 : 接著才拍角色們在建築物裡做些什麼 : 這樣的話 : 拍建築物外觀那一段需要獨立分出一場嗎? : 或者寫在同一場就好呢? : 謝謝 我想應該是分成兩場比較好。 因為有些電影拍了外景但實際上裡面的場景 ...

這樣需要分兩場嗎?

Dora avatar
By Dora
at 2010-07-28T10:07
影片常常會出現這樣的橋段: 先是建築物的外觀和街景 接著才拍角色們在建築物裡做些什麼 這樣的話 拍建築物外觀那一段需要獨立分出一場嗎? 或者寫在同一場就好呢? 謝謝 - ...

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Cara avatar
By Cara
at 2010-07-22T08:43
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Frederic avatar
By Frederic
at 2010-07-20T18:25
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Madame avatar
By Madame
at 2010-07-20T12:09
※ 引述《pttthu ()》之銘言: : 有人可以分析一下 and#34;全面啟動and#34;這部電影的劇本嗎? : 可能還是要專業的編劇版友來分析一下 : 這部電影真的是近年來最複雜的劇本了 我來試著拋磚引玉一下,這篇有大雷,但沒看過的,好像也不會看這篇文章 ^^ 基本上,雖然諾蘭的作品通常很複雜, ...