懸疑電影的寫法 - 編劇

※ 引述《jarlinlove (永夜角聲悲自語)》之銘言：
: 1.鏡位要如何描述呢？
: 例如，S1有位謎樣人士出場，但不能照到他的臉只能照下半身，
: 此時應如何描述呢？在哪裡描述呢？
: ----------------------------------------------
: S1 景：街　人：黑衣人(半身-*在這？)
: (黑衣人走過來-半身鏡位-*在這？)
: *還是在哪？XD
: ----------------------------------------------
: 2.畫面剪接要如何描述呢？
: 例如有兩場鏡頭想要水平剪，那麼應該：
: ----------------------------------------------
: 註明：（S1、S2水平剪接)
: 這樣才對(或比較好)呢？非常謝謝各位看完我冗長的問題<(_ _)>

其實你不用想很多，劇本是讓劇組清楚知道發生什麼事的工具而已，
能寫簡單清楚就可以了，在中文電影劇本裡，用個三角型把事情說清楚就好了～

比如說：

　S1: 景：街　　人：黑衣人

　Δ 黑衣人從暗巷走出，鏡頭從皮鞋向上pan, 定格在他的黑色手套上。
　Δ 以下與S2 / S3水平對剪

　S2: 景：醫院 人：白袍醫生

　Δ 醫生從病房門口走進，鏡頭從醫師鞋向上pan,定格在他的醫療手套上。

　S3: 景：按摩院　人：按摩小姐

　Δ 按摩小姐從包廂走進，鏡頭從她的高跟鞋向上pan,定格在她的水晶指甲上。

要注意的是，不要把導演與劇組搞瘋就好了～

比如說：

　S1: 景：街 人：黑衣人

Δ 黑衣人從暗巷走出，鏡頭只拍下半身，表現出他那滄桑的一生。

=> 滄桑的一生？這是啥鬼呀？要你就把”滄桑一生”寫清楚～

＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝

我以沉默的羔羊為例，以下是 Dr. Lector 要殺掉警衛的一段，原著劇本是這樣寫的：
（英文劇本格式不同，你可以參考人家的寫法：）

VARIOUS ANGLES - EACH BLURRING INTO STOP-ACTION

中間後面那一段，是用文字表現出分鏡表（連續動作），我個人認為寫的太仔細了
......不過這樣寫有很大的好處，就是後來畫分鏡表時，比較不會出錯～


DR. LECTER

I'm ready when you are, Officer
Pembry.

Pembry comes around the cell to squat behind Dr. Lecter. He
tugs his hands farther out, rather roughly, handcuffs his
wrists. He shakes the cuffs, making sure of them, then nods
to Boyle.

NEW ANGLE - AT CELL DOOR

as Boyle picks up the dinner tray, and Pembry crosses around.
Pembry takes the keys from Boyle, unlocks the cell door, and
pushes it inward. Boyle goes inside with the tray.

DR. LECTER

watches as Boyle approaches the table, above five feet from
him. Boyle has to set his tray down on the floor to clear
off some of the mess of drawings. The MUSIC plays on.

VERY CLOSE ON

...Dr. Lecter's hands, outside the bars, as the makeshift
key, held between the tips of his right index and middle
fingers, searches for the keyhole of the cuffs. And finds
it.

NEW ANGLE - FAVORING BOYLE

as he finishes clearing the drawings, then turns back towards
Dr. Lecter, stooping to pick up the tray.

BOYLE'S RIGHT HAND

is just inches from the tray when Dr. Lecter's hand darts
INTO SHOT, snapping a handcuff onto his wrist.

BOYLE

looks up, astonished, to find himself right in the grinning
face of Dr. Lecter - who just as quickly rolls sideways, and
snaps -

THE OTHER CUFF

around the bolted leg of the table. And suddenly all natural
SOUND and MOTION are suspended, as the MUSIC soars much
louder, each separate note of it now echoing distinctly, and
we see...

VARIOUS ANGLES - EACH BLURRING INTO STOP-ACTION

Pembry starting into the cell, reaching for his riot baton...

Dr. Lecter smashing against the cell door, driving it into
Pembry, pinning him across the chest, against the door
frame...

Boyle, on one knee on the floor, digging desperately in his
pants pocket for his handcuff key...

Pembry's hand, mashed against his body by the door, as he
strains frantically to reach the baton at his waist...

Pembry's eyes, widening in horror as he stares at...

Dr. Lecter's bared teeth, flashing towards him...

Dr. Lecter gripping Pembry's face in his jaws, shaking it
like a dog shakes a rat...

Boyle finding his key, but in his terror dropping it...

Dr. Lecter yanking the mace can and riot baton from the dazed
Pembry's belt, spraying him in his bloody face, then clubbing
him to his knees...

Boyle, mouth open in a silent scream, finding his key again,
unlocking the handcuff, but then, as he starts to rise,
seeing...

Dr. Lecter standing over him, with the riot baton raised
high; he swings it viciously down, again and again and
again...

Then normal SOUND and MOTION are restored as we go to -

CLOSE ANGLE ON

the cassette player, and the portrait of Clarice, both now
flecked with blood. In addition to the Bach, we now hear
soft PANTING, close by, and whimpering SOBS in the background.

ANGLE ON DR. LECTER

eyes closed, lost in a favorite passage of the music. His
bloody fingers drift airily with the notes, as his breathing
slows to normal. He opens his eyes, sighs contentedly, looks
down.

PS.以上劇本轉載自 www.imsdb.com ，如果要多看看好萊塢的劇本，那裡有一堆唷～



--
seek the truth, follow the lies.


--