無法入戲的俗女2 - 臺劇
By Dorothy
at 2021-09-01T15:46
at 2021-09-01T15:46
Table of Contents
1.時代感
不論我的少女時代或是光陰的故事
其實都代表民國七十年代到九十年代這二十年的事
在台灣很受歡迎
但俗女2其實幾乎都拉回了現代
我認為先天上討喜的點就下降了
2.視角
雖然同樣採用小時候和現代對比
但俗女2小時候的部分真的太少了
用小孩的視角去看現在的煩惱,會覺得這煩惱小時候明明覺得小case
不明白大人怎麼這麼困擾
但俗女2都是現在視角,而且相對沉重去看,看了沉重
3.莫名其妙的腳色太多了,而且是不討喜的那種
不論前老闆多誇張,前男友多焦躁,都是好笑的
愛挑剔的姑姑也是很能明白她的設定原因
俗女2中無禮到誇張的助手,鬧脾氣的外國爺爺
沒有在結尾討喜的洪育萱
很煩躁啊啊啊啊啊啊
有舅舅舅媽能幫帶,送到表妹家可能是不想家暴被知道
但少了很簡單的介紹說明
雖然事後能領悟原因,但當下看戲就覺得這太突兀了吧
還有要和長官說明重要報告,小孩讓蔡永森帶去學校或帶到會議室後方坐著
不都比較好嗎?
要我來說就是俗女2可能野心太大
俗女1就算看不懂要表達要對照的深層涵義,還是會覺得好好笑
俗女2是第一時間要領悟,沒領悟就很煩躁
不過第二季第四集的問題是笑點太少,劇情苦悶吧
除了阿嬤態度大轉變到誇張算好笑外,笑點少,不論過去現在都很苦
過去,阿嬤講到阿和就暴怒,後來又發現是被耍
現在,開場洪育萱被家暴,小孩超鬧事,都是悶的
--
段譽低頭將耳湊到她的唇邊,只聽得刀白鳳輕輕說道
醒醒吧!你根本沒有妹妹
by ckshchen
--
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臺劇
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