葉天倫壓力大 棄拍賀歲片 - 電影
By Rachel
at 2014-02-19T23:00
at 2014-02-19T23:00
Table of Contents
中國時報【陳亭均╱台北報導】
《大稻埕》爭議多,導演葉天倫認為自己逐漸習慣壓力,「我做配音員時,也曾經被罵到
幾乎喘不過氣;我現在知道,一切只能要求自己多努力!」葉的兩部賀歲片《雞排英雄》
、《大稻埕》都破億,但他17日說:「我不會再拍賀歲片了!想把機會讓給其他人,壓力
也真的很大。」
《大稻埕》在劇情上有野心,但布線過多,故事不夠完整,葉表示下一部片想嘗試單一場
景,以劇本、演員純粹的演技,表現如席利安墨菲、瑞秋麥亞當斯演出的《赤眼玄機》,
樸實表現劇情張力。
電影《KANO》的服裝考證相當講究,打造1700多套復古裝束,只為重現日治風華;因年代
久遠,當時只有黑白照片,甲子園各隊的制服色彩早難分辨,導演馬志翔說,劇組跨海尋
訪日本高校,只為呈現歷史實情,拍攝甲子園開幕時,服裝師見到成果,更感動到瞬間流
淚。葉天倫也相當推崇《KANO》的用心。
http://ppt.cc/GYWL
--
《大稻埕》爭議多,導演葉天倫認為自己逐漸習慣壓力,「我做配音員時,也曾經被罵到
幾乎喘不過氣;我現在知道,一切只能要求自己多努力!」葉的兩部賀歲片《雞排英雄》
、《大稻埕》都破億,但他17日說:「我不會再拍賀歲片了!想把機會讓給其他人,壓力
也真的很大。」
《大稻埕》在劇情上有野心,但布線過多,故事不夠完整,葉表示下一部片想嘗試單一場
景,以劇本、演員純粹的演技,表現如席利安墨菲、瑞秋麥亞當斯演出的《赤眼玄機》,
樸實表現劇情張力。
電影《KANO》的服裝考證相當講究,打造1700多套復古裝束,只為重現日治風華;因年代
久遠,當時只有黑白照片,甲子園各隊的制服色彩早難分辨,導演馬志翔說,劇組跨海尋
訪日本高校,只為呈現歷史實情,拍攝甲子園開幕時,服裝師見到成果,更感動到瞬間流
淚。葉天倫也相當推崇《KANO》的用心。
http://ppt.cc/GYWL
--
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