金馬震撼教育國片不進則退 - 電影

By Mary
at 2013-10-02T07:52
at 2013-10-02T07:52
Table of Contents
金馬震撼教育國片不進則退
2013-10-02 01:28 中國時報 【張士達/特稿】
第50屆金馬獎入圍名單1日公布,台灣電影去年成績不佳,今年靠蔡明亮、鍾孟宏
等得獎常客領軍還擊,雖然成績未可知,至少在入圍帳面上扳回一城。但入圍名單提醒的
是更大的警訊:當你在甦醒跨步,別人可能進步得比你更快。放開眼界,不故步自封,已
是台灣影人不能不做的功課。
去年台片由《女朋友。男朋友》與《逆光飛翔》留住兩項獎,創下史上最慘烈成績
。今年蔡明亮《郊遊》、鍾孟宏《失魂》各入圍5項,加上其他新導演合力出擊,在37部
入圍作品中包辦16部。
《總舖師》敗給強敵
但票房熱賣的《總舖師》,雖已算是最能兼顧創作誠意與雅俗共賞的作品,也只能
保住音樂與歌曲兩項,只能感嘆對手太強,龐大的華人電影市場,早已讓各地區影人在技
術水平或創作視野上都更攀上高標,若只想滿足台灣觀眾作為終極目標,在每項只有4、
5席的入圍名額中,很容易被擠下落馬。
在地題材能出國門
今年入圍的舒淇、桂綸鎂、彭于晏,都因在中港參與不同類型作品,得以技藝精進
更上層樓。入圍音樂的林強已是大陸導演賈樟柯最重要的舵手。台灣電影雖有優秀人才資
源,如今卻都成為別人延攬或吸取養分的寶庫。
過去因市場太小而沒有電影工業可言的新加坡,竟由新導演陳哲藝的小成本家庭通
俗劇《爸媽不在家》,奪下坎城金攝影機獎,再入圍6項金馬。台灣影人常感嘆市場太小
、類型有限,如今這些藉口彷彿被打了一個耳光,原來電影的大或小並不決定創作高低,
在地題材出發的小格局也未必走不出國門。更諷刺的是,陳哲藝是入選金馬創投的金馬學
院學員,他賴以擷取創作養分的土地,正是台灣。
http://news.chinatimes.com/focus/11050105/112013100200014.html
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