韓劇男演員青黃不接 兩極分化魅力不足 - 韓劇
By Dora
at 2011-07-06T21:25
at 2011-07-06T21:25
Table of Contents
韓劇男演員青黃不接 兩極分化魅力不足
朝鮮日報 記者:Park Se-mi 2011/07/06 17:00
新聞圖 http://ppt.cc/Cd47
「因某某男演員,電視劇收視才不行。」
最近,在幾家電視臺網站公告欄上出現許多觀眾的上述不滿留言。電視劇陷入低迷後,其
主要原因指向「男主角的表現」。
最近,很多觀眾指責稱,在電視劇中很難看到能夠吸引觀眾的魅力十足的男主角。重量級
男演員出演電視劇主角的情況較少,而且即使出演其魅力也大不如前。
期間電視臺一直採取通過男主角吸引女觀眾的方法。這是因為,無論是強硬還是冷漠、搞
笑,通常都是男主角為女主角的愛情故事賦予說服力,並成為推動劇情發展的動力。
但在目前播出的電視劇中,很多人對男主角的評價是「無趣」。KBS電視劇《童顏美女》
男主角丹尼爾‧崔和柳鎮、《浪漫小鎮》男主角鄭糠雲、SBS電視劇《城市獵人》男主角
李敏鎬、《武士白東修》男主角池昌旭、《雷普利小姐》男主角金勝友和朴有天、《你迷
上我》男主角鄭容和、《你能聽到我的心嗎》男主角金載沅、《閃閃發光》男主角金錫勳
等,男演員們所飾演的角色都與以往相似,因此未能受到關注。反而張娜拉、成宥利、李
多海和黃正音等女主角的光芒要蓋過這些男主角。
從最近劇終的電視劇來看,宋一國(《重案組》)、池誠(《皇室家族》)、張赫(《
MIDAS》)、薑至奐(《對我說謊》)等男演員可謂名不副實。有人評價稱,趙顯宰(《
49天》)、朱相旭(《荊棘鳥》)等演員想要引領韓國電視劇,還顯得份量不夠。
為何會如此?電視臺相關人士表示:「能夠演好穩重和爆發力兼備的年輕男主人公的演員
年齡大多要在30到35歲左右,但這樣的男演員幾乎沒有。」KBS電視劇局高局長表示:「
因入伍和出演電影等問題,電視劇男主角只能選擇20多歲的、尚未得到檢驗的新人,或李
炳憲、裴勇俊、車勝元等40多歲的頂級明星,處於兩極化狀況。因此,每位現場導演都慨
嘆沒有男主角人選。」因為如此,通常情況下即使邀請到A級女演員,最終與其搭檔的男
主角也是知名度要低一、兩級的男演員。SBS電視劇編導Kim Yeong-seop表示:「在過去
的幾年裡,各電視臺全都專注於韓流電視劇,使用原先的人氣男演員,而疏忽了對新演員
的培養,最終導致現在的局面。」
因電視劇、電影片酬暴漲,以及廣告市場的擴大,稍有人氣的男演員通過跨界活動也能夠
充分維持生活,而不是僅限於多拍作品。這也是導致目前狀況的原因之一。
MBC電視劇崔編導表示:「因電視劇觀眾大多是女性,加上重量級男演員的減少,電視劇
製作方向逐漸偏向『女性故事』。如果繼續這樣發展下去,很難再製作講述男性故事或男
演員號召力起到重要作用的、多樣化的電視劇,最終電視劇題材的偏狹乃至枯竭的現象將
更加嚴重。」
朝鮮日報中文網 http://chn.chosun.com
原文 http://ppt.cc/0XEt
--
朝鮮日報 記者:Park Se-mi 2011/07/06 17:00
新聞圖 http://ppt.cc/Cd47
「因某某男演員,電視劇收視才不行。」
最近,在幾家電視臺網站公告欄上出現許多觀眾的上述不滿留言。電視劇陷入低迷後,其
主要原因指向「男主角的表現」。
最近,很多觀眾指責稱,在電視劇中很難看到能夠吸引觀眾的魅力十足的男主角。重量級
男演員出演電視劇主角的情況較少,而且即使出演其魅力也大不如前。
期間電視臺一直採取通過男主角吸引女觀眾的方法。這是因為,無論是強硬還是冷漠、搞
笑,通常都是男主角為女主角的愛情故事賦予說服力,並成為推動劇情發展的動力。
但在目前播出的電視劇中,很多人對男主角的評價是「無趣」。KBS電視劇《童顏美女》
男主角丹尼爾‧崔和柳鎮、《浪漫小鎮》男主角鄭糠雲、SBS電視劇《城市獵人》男主角
李敏鎬、《武士白東修》男主角池昌旭、《雷普利小姐》男主角金勝友和朴有天、《你迷
上我》男主角鄭容和、《你能聽到我的心嗎》男主角金載沅、《閃閃發光》男主角金錫勳
等,男演員們所飾演的角色都與以往相似,因此未能受到關注。反而張娜拉、成宥利、李
多海和黃正音等女主角的光芒要蓋過這些男主角。
從最近劇終的電視劇來看,宋一國(《重案組》)、池誠(《皇室家族》)、張赫(《
MIDAS》)、薑至奐(《對我說謊》)等男演員可謂名不副實。有人評價稱,趙顯宰(《
49天》)、朱相旭(《荊棘鳥》)等演員想要引領韓國電視劇,還顯得份量不夠。
為何會如此?電視臺相關人士表示:「能夠演好穩重和爆發力兼備的年輕男主人公的演員
年齡大多要在30到35歲左右,但這樣的男演員幾乎沒有。」KBS電視劇局高局長表示:「
因入伍和出演電影等問題,電視劇男主角只能選擇20多歲的、尚未得到檢驗的新人,或李
炳憲、裴勇俊、車勝元等40多歲的頂級明星,處於兩極化狀況。因此,每位現場導演都慨
嘆沒有男主角人選。」因為如此,通常情況下即使邀請到A級女演員,最終與其搭檔的男
主角也是知名度要低一、兩級的男演員。SBS電視劇編導Kim Yeong-seop表示:「在過去
的幾年裡,各電視臺全都專注於韓流電視劇,使用原先的人氣男演員,而疏忽了對新演員
的培養,最終導致現在的局面。」
因電視劇、電影片酬暴漲,以及廣告市場的擴大,稍有人氣的男演員通過跨界活動也能夠
充分維持生活,而不是僅限於多拍作品。這也是導致目前狀況的原因之一。
MBC電視劇崔編導表示:「因電視劇觀眾大多是女性,加上重量級男演員的減少,電視劇
製作方向逐漸偏向『女性故事』。如果繼續這樣發展下去,很難再製作講述男性故事或男
演員號召力起到重要作用的、多樣化的電視劇,最終電視劇題材的偏狹乃至枯竭的現象將
更加嚴重。」
朝鮮日報中文網 http://chn.chosun.com
原文 http://ppt.cc/0XEt
--
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韓劇
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