來吧,討論一下2004紀錄片雙年展吧! - 紀錄片
By Sandy
at 2004-12-19T15:23
at 2004-12-19T15:23
Table of Contents
※ 引述《marrakech (2004)》之銘言:
: distance montage...聽起來很有意思
: 可以大概說一下這是什麼嗎
http://194.209.10.7/02prog/bim/bim10/retrospectives.php?id=r03&lg=en
"It was during my work on the film Us that I became convinced that my
interests were elsewhere, that the very essence and main thrust of
montage for me was found less in assembling scenes and more in the
possibility of disjoining them, not in their juxtaposition but their
separation. It became clear that what interested me above all wasn’t
joining two elements of the montage, but rather separating them by
inserting a third, fifth, even tenth element between them.
When faced with two important shots, both meaningful, I strive not to
bring them together, or contrast them, but rather to create a distance
between them. It’s not through the juxtaposition of two shots but by
their interaction through the intermediary of numerous links that I
manage to express the idea in the best possible way. The expression of
meaning then acquires a stronger, deeper impact than by direct collage.
Expressiveness becomes more intense and the film’s informative capacity
takes on colossal dimensions. It’s this type of editing that I call
counterpoint montage."
Artavazd Pelechian
: ※ 引述《shihlun (shihlun)》之銘言:
: : 放了Pelechian的四部片子,卻沒有任何介紹
: : 最後觀眾還是不知道什麼是他的distance montage理論
: : 最後,不斷聽到一些本地的創作者
: : 抱怨主辦單位,對待來賓大小眼
: : 外賓百般禮遇,台灣參賽者則極不受尊重
: : 嗯,不是每個參賽者都住在台北吧
: : 不過如果你是拿台灣身份證,就得自己多擔待點
--
: distance montage...聽起來很有意思
: 可以大概說一下這是什麼嗎
http://194.209.10.7/02prog/bim/bim10/retrospectives.php?id=r03&lg=en
"It was during my work on the film Us that I became convinced that my
interests were elsewhere, that the very essence and main thrust of
montage for me was found less in assembling scenes and more in the
possibility of disjoining them, not in their juxtaposition but their
separation. It became clear that what interested me above all wasn’t
joining two elements of the montage, but rather separating them by
inserting a third, fifth, even tenth element between them.
When faced with two important shots, both meaningful, I strive not to
bring them together, or contrast them, but rather to create a distance
between them. It’s not through the juxtaposition of two shots but by
their interaction through the intermediary of numerous links that I
manage to express the idea in the best possible way. The expression of
meaning then acquires a stronger, deeper impact than by direct collage.
Expressiveness becomes more intense and the film’s informative capacity
takes on colossal dimensions. It’s this type of editing that I call
counterpoint montage."
Artavazd Pelechian
: ※ 引述《shihlun (shihlun)》之銘言:
: : 放了Pelechian的四部片子,卻沒有任何介紹
: : 最後觀眾還是不知道什麼是他的distance montage理論
: : 最後,不斷聽到一些本地的創作者
: : 抱怨主辦單位,對待來賓大小眼
: : 外賓百般禮遇,台灣參賽者則極不受尊重
: : 嗯,不是每個參賽者都住在台北吧
: : 不過如果你是拿台灣身份證,就得自己多擔待點
--
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紀錄片
All Comments
By Hazel
at 2004-12-23T06:48
at 2004-12-23T06:48
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