啟太 - 臺劇
By Callum
at 2008-02-21T08:58
at 2008-02-21T08:58
Table of Contents
首先說聲抱歉。我不是小江家鄰居……我是啟太的支持者……(抱頭)
其實,當初看到湘琴在護理系那樣丟三落四的學習態度,我很難接受。
笨沒有關係,但不能不自知,
她那些動作充滿隨時能毀滅病患的潛力,我實在不忍卒睹,
如果沒有啟太經常暴怒推倒(?)阻止她,我會先在螢幕前暈倒。
啟太喜歡上湘琴那個點很模糊。
如果是對婚姻充滿熱血憧憬如他,單純因為見湘琴受老公冷落而由憐生愛,
那麼這個點不能打動我。
我之前收看的偶像劇是美味關係,
另我著迷的不是絲父,而是百惠。
那樣貶抑女性的男人,其實惹火我,
可是絲父有一種眼神很棒,讓我一次又一次原諒他。
啟太是哪個點打動我?
眼神,跟讓我原諒絲父的眼神是同一種----
那傾聽對方時所流露出的深深的「仰慕」。
還記得絲父第一次正式作料理給百惠享用時,他那戒慎恐懼又盼望的態度。
百惠最珍貴特別的那個點,就是對美食溫柔而深刻的鑑賞能力。
絲父非常「懂」得這個點,
以至於他在傾聽百惠的評論時,眼神既期待又珍惜。
橋上,啟太見到湘琴,眼神立刻就亮起來了。情不自禁的雀躍。
當他靜靜聆聽湘琴描述小時候喜歡的對象時,
眼神又專注又愉悅,
她任何無厘頭的措辭與動靜,他都期待並享受。
湘琴對愛情執著的衝勁,以及其引發的接連令人驚喜的動作,
就是湘琴最珍貴特別的那個點。
這個點,啟太十分珍視,
以至於他在橋上對湘琴所流露出的傾慕眼神,煞到電視機前所有觀眾。
「你少說了一項最重要的條件。」啟太。
「什麼條件?」
「懂你。」
反觀直樹。你要一個天才如何「仰慕」一個笨蛋如湘琴?
可以的。如果直樹真的懂湘琴。
我們看到他對湘琴失誤的包容,看到他照顧湘琴的細心與體貼,
可是,對於湘琴最欠缺的「自信」,他卻一直沒有回應。
當子瑜逗弄湘琴時,他的眼神是寵愛的,
但卻是一種「我預期得到你可愛憨直的反應」那種眼神,
一種「我對你瞭若指掌」那大對小、上對下的態度。
這種態度如果往不好的方向發展,
就變成了「離家?她還能去哪?不就那幾個地方」這足以惹才叔動手的回答。
這種「瞭若指掌」的眼神,很諷刺的顯示出相反的事實:他不夠懂湘琴。
偶爾在夜深人靜時,他自省,並且相當難得的察覺出:
強悍到能夠突破他心防的,就是湘琴她喜怒形於色的真誠,
可是他卻幾乎不對湘琴在這方面表示仰慕與重視,
吝嗇到湘琴非得要透過第三者如江媽,
才能找回那一丁點自信。
回頭看啟太。他與湘琴是平等的。
無論啟太的專業能力如何高過湘琴,無論他曾經如何被湘琴氣得哇哇叫,
他一直都在「回應」。
怒也是,憐也是,愛也是,
他的情緒與舉動一直都讓湘琴牽著。
愛情,「回應」最是關鍵,
如此才能相互磨合,相偕成長。
--
其實,當初看到湘琴在護理系那樣丟三落四的學習態度,我很難接受。
笨沒有關係,但不能不自知,
她那些動作充滿隨時能毀滅病患的潛力,我實在不忍卒睹,
如果沒有啟太經常暴怒推倒(?)阻止她,我會先在螢幕前暈倒。
啟太喜歡上湘琴那個點很模糊。
如果是對婚姻充滿熱血憧憬如他,單純因為見湘琴受老公冷落而由憐生愛,
那麼這個點不能打動我。
我之前收看的偶像劇是美味關係,
另我著迷的不是絲父,而是百惠。
那樣貶抑女性的男人,其實惹火我,
可是絲父有一種眼神很棒,讓我一次又一次原諒他。
啟太是哪個點打動我?
眼神,跟讓我原諒絲父的眼神是同一種----
那傾聽對方時所流露出的深深的「仰慕」。
還記得絲父第一次正式作料理給百惠享用時,他那戒慎恐懼又盼望的態度。
百惠最珍貴特別的那個點,就是對美食溫柔而深刻的鑑賞能力。
絲父非常「懂」得這個點,
以至於他在傾聽百惠的評論時,眼神既期待又珍惜。
橋上,啟太見到湘琴,眼神立刻就亮起來了。情不自禁的雀躍。
當他靜靜聆聽湘琴描述小時候喜歡的對象時,
眼神又專注又愉悅,
她任何無厘頭的措辭與動靜,他都期待並享受。
湘琴對愛情執著的衝勁,以及其引發的接連令人驚喜的動作,
就是湘琴最珍貴特別的那個點。
這個點,啟太十分珍視,
以至於他在橋上對湘琴所流露出的傾慕眼神,煞到電視機前所有觀眾。
「你少說了一項最重要的條件。」啟太。
「什麼條件?」
「懂你。」
反觀直樹。你要一個天才如何「仰慕」一個笨蛋如湘琴?
可以的。如果直樹真的懂湘琴。
我們看到他對湘琴失誤的包容,看到他照顧湘琴的細心與體貼,
可是,對於湘琴最欠缺的「自信」,他卻一直沒有回應。
當子瑜逗弄湘琴時,他的眼神是寵愛的,
但卻是一種「我預期得到你可愛憨直的反應」那種眼神,
一種「我對你瞭若指掌」那大對小、上對下的態度。
這種態度如果往不好的方向發展,
就變成了「離家?她還能去哪?不就那幾個地方」這足以惹才叔動手的回答。
這種「瞭若指掌」的眼神,很諷刺的顯示出相反的事實:他不夠懂湘琴。
偶爾在夜深人靜時,他自省,並且相當難得的察覺出:
強悍到能夠突破他心防的,就是湘琴她喜怒形於色的真誠,
可是他卻幾乎不對湘琴在這方面表示仰慕與重視,
吝嗇到湘琴非得要透過第三者如江媽,
才能找回那一丁點自信。
回頭看啟太。他與湘琴是平等的。
無論啟太的專業能力如何高過湘琴,無論他曾經如何被湘琴氣得哇哇叫,
他一直都在「回應」。
怒也是,憐也是,愛也是,
他的情緒與舉動一直都讓湘琴牽著。
愛情,「回應」最是關鍵,
如此才能相互磨合,相偕成長。
--
Tags:
臺劇
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