我畢業了... - 歐美

By George
at 2006-11-17T10:56
at 2006-11-17T10:56
Table of Contents
碩論用影集當作研究對象,歡迎大家下載指教(內容是英文就是了...)
http://thesis.lib.ncu.edu.tw/ETD-db/ETD-search-c/view_etd?URN=92122003
金髮美女與恐怖片: 影集《魔法奇兵》與《暗夜天使》中性別與文類的顛覆
Blondes and the Horror Genre: the Subversion of Gender and Genre
in Buffy the Vampire Slayer and Angel
Contents
Abstract I
Acknowledgements III
Chapter One: Introduction 1
Chapter Two: Redefinition of the Blonde in the Horror Genre: Sarah Michelle
Gellar's Portrayal as Buffy 10
Chapter Three: Why do We Fight?: Kate Lockley's Quest of Faith in Angel 28
Chapter Four: The Bitch is Back!: Darla's Redemption and the Soap Style in
Angel 46
Works Cited 64
本論文試圖闡釋金髮美女和恐怖片從好萊塢電影到電視影集的轉化關係。透 過閱讀影集
《魔法奇兵》和《暗夜天使》三位金髮女性角色,我的論證強調金髮美女擁有拯救自我的
潛力,甚至願意面對心中的恐懼,所以在恐怖片中不一定會 慘遭怪獸或殺人魔的毒手。
由此,性別偏見正突顯好萊塢恐怖片中的父權主宰問題;從影集中,我發現教育、法律、
和家庭三者意識形態國家機器對三位金髮女 性角色形成強力威脅,因此我對於權力的合
法性感到質疑。再者,就這三位女性角色分別身為吸血鬼獵魔士,警官,和吸血鬼母親看
來,她們的職業勾勒出女性 在性別角色上的衝突,而這樣的衝突更同時讓她們對「信念
」及「責任」有所存疑。在尋求自主性的過程中,她們一方面渴求生存,另一方面她們更
期望獲得「救贖」。
The thesis aims to illuminate the transforming relationship between
blondes and the horror genre from Hollywood movies to television series.
Through reading three blonde characters in Buffy the Vampire Slayer and
Angel, I argue that blondes do not necessarily have to comply with the
formula of becoming monsters or killers' targets in the horror genre because
they have the potential to rescue themselves and even confront their fear.
The issue of gender-bias problematizes the patriarchal domination in the
production of the Hollywood horror. Therefore,my readings of the authorities
are situated on an analytical frame of questioning the validity of the
educational,legal and family ideological state apparatuses, which formulate
the menace to the three blonde characters in the series. From their roles as
a vampire slayer, a police officer and a vampire mother, the conflicting
nature of their gendered identities simultaneously raises the doubts of their
dedication to their belief and responsibilities. Finally,they aspire to find
the meanings of their existence in quest of autonomy because what they are
hoping for is redemption.
--
http://thesis.lib.ncu.edu.tw/ETD-db/ETD-search-c/view_etd?URN=92122003
金髮美女與恐怖片: 影集《魔法奇兵》與《暗夜天使》中性別與文類的顛覆
Blondes and the Horror Genre: the Subversion of Gender and Genre
in Buffy the Vampire Slayer and Angel
Contents
Abstract I
Acknowledgements III
Chapter One: Introduction 1
Chapter Two: Redefinition of the Blonde in the Horror Genre: Sarah Michelle
Gellar's Portrayal as Buffy 10
Chapter Three: Why do We Fight?: Kate Lockley's Quest of Faith in Angel 28
Chapter Four: The Bitch is Back!: Darla's Redemption and the Soap Style in
Angel 46
Works Cited 64
本論文試圖闡釋金髮美女和恐怖片從好萊塢電影到電視影集的轉化關係。透 過閱讀影集
《魔法奇兵》和《暗夜天使》三位金髮女性角色,我的論證強調金髮美女擁有拯救自我的
潛力,甚至願意面對心中的恐懼,所以在恐怖片中不一定會 慘遭怪獸或殺人魔的毒手。
由此,性別偏見正突顯好萊塢恐怖片中的父權主宰問題;從影集中,我發現教育、法律、
和家庭三者意識形態國家機器對三位金髮女 性角色形成強力威脅,因此我對於權力的合
法性感到質疑。再者,就這三位女性角色分別身為吸血鬼獵魔士,警官,和吸血鬼母親看
來,她們的職業勾勒出女性 在性別角色上的衝突,而這樣的衝突更同時讓她們對「信念
」及「責任」有所存疑。在尋求自主性的過程中,她們一方面渴求生存,另一方面她們更
期望獲得「救贖」。
The thesis aims to illuminate the transforming relationship between
blondes and the horror genre from Hollywood movies to television series.
Through reading three blonde characters in Buffy the Vampire Slayer and
Angel, I argue that blondes do not necessarily have to comply with the
formula of becoming monsters or killers' targets in the horror genre because
they have the potential to rescue themselves and even confront their fear.
The issue of gender-bias problematizes the patriarchal domination in the
production of the Hollywood horror. Therefore,my readings of the authorities
are situated on an analytical frame of questioning the validity of the
educational,legal and family ideological state apparatuses, which formulate
the menace to the three blonde characters in the series. From their roles as
a vampire slayer, a police officer and a vampire mother, the conflicting
nature of their gendered identities simultaneously raises the doubts of their
dedication to their belief and responsibilities. Finally,they aspire to find
the meanings of their existence in quest of autonomy because what they are
hoping for is redemption.
--
Tags:
歐美
All Comments

By Kumar
at 2006-11-20T04:24
at 2006-11-20T04:24

By Frederic
at 2006-11-24T16:45
at 2006-11-24T16:45

By Christine
at 2006-11-25T04:35
at 2006-11-25T04:35

By Olga
at 2006-11-26T19:54
at 2006-11-26T19:54

By Rebecca
at 2006-11-30T10:14
at 2006-11-30T10:14

By Yuri
at 2006-12-01T04:55
at 2006-12-01T04:55

By Yuri
at 2006-12-02T15:02
at 2006-12-02T15:02

By Skylar DavisLinda
at 2006-12-05T23:18
at 2006-12-05T23:18

By Ina
at 2006-12-08T17:10
at 2006-12-08T17:10

By Todd Johnson
at 2006-12-12T21:32
at 2006-12-12T21:32

By Dinah
at 2006-12-15T19:43
at 2006-12-15T19:43

By Caitlin
at 2006-12-17T21:05
at 2006-12-17T21:05

By Necoo
at 2006-12-18T20:11
at 2006-12-18T20:11

By Ethan
at 2006-12-21T10:14
at 2006-12-21T10:14

By Ethan
at 2006-12-23T19:38
at 2006-12-23T19:38

By Ida
at 2006-12-26T06:17
at 2006-12-26T06:17

By Donna
at 2006-12-28T20:09
at 2006-12-28T20:09

By Rosalind
at 2007-01-02T12:05
at 2007-01-02T12:05

By Lucy
at 2007-01-07T06:54
at 2007-01-07T06:54
Related Posts
整形春秋怎麼有A片的感覺@@

By Lily
at 2006-11-15T22:53
at 2006-11-15T22:53
'Grey's' star Pompeo engaged

By John
at 2006-11-15T10:37
at 2006-11-15T10:37
Studio 60 - 1x08

By Irma
at 2006-11-15T05:27
at 2006-11-15T05:27
Grey's Anatomy 307 雷

By Caroline
at 2006-11-14T12:40
at 2006-11-14T12:40
Re: 11/10 Ratings

By Rebecca
at 2006-11-14T10:17
at 2006-11-14T10:17