《守護者》作家:超級英雄電影害文化凋零 - 電影
By Lydia
at 2020-10-11T13:18
at 2020-10-11T13:18
Table of Contents
《守護者》原作家:超級英雄電影害文化凋零
https://i.imgur.com/kNPJZ4k.jpg
《守護者》原作者艾倫摩爾(Alan Moore)如今痛批,超級英雄電影不僅讓文化凋零,更
讓觀眾都變得幼兒化了。
筆下出產過「守護者」、「V怪客」、「蝙蝠俠:致命玩笑」、「開膛手」、「天降奇兵
」等不朽名作,英國作家艾倫摩爾無疑是近代最飽富盛名的美漫大師編劇,但他不僅因版
權問題而跟DC撕破臉,日後甚至還拒絕在所有改編電影裡掛名,不惜為此損失龐大的授權
費用,其離經叛道的作風向來為美漫迷所津津樂道。
鮮少公開拋頭露面的艾倫摩爾日前難得接受Deadline專訪,因為他如今終於要進軍影壇,
親自操刀一部黑色偵探奇幻電影《The Show》,電影由艾倫摩爾執筆、米奇詹金斯(Mitc
h Jenkins)執導、湯姆伯克(Tom Burke)主演。
電影舞台設於艾倫摩爾的家鄉英國北安普頓(Northampton),片中描述一名男性正在追
蹤一條失竊的項鍊,而這趟冒險旅程也帶領他走進了一個充滿犯罪和謎團的超現實世界。
https://i.imgur.com/T0CKj10.jpg
在2018年「天降奇兵」完結之後,艾倫摩爾已正式宣告從漫畫界金盆洗手,而他在訪談中
也提到了現在正蔚為熱潮的美漫電影現象。儘管他自己也是影響力無遠弗屆的美漫大師,
但艾倫摩爾對超級英雄電影可沒什麼恭維之詞。
艾倫摩爾解釋道:「我對漫畫已經不怎麼感興趣了,我不想再跟漫畫扯上關係。到了我退
休時,我已經寫了四十多年的漫畫。當我初次踏進漫畫界時,最大的吸引力就在於這種創
作媒介很通俗,它是畫來娛樂勞工階級的,尤其是小孩子們。」
「這個業界已經變了,現在都成了『圖像小說』,其訂價策略專攻中產階級。我對中產階
級沒什麼意見,但漫畫不該只為了中年愛好家而存在,它本來是給那些口袋裡沒什麼錢的
人看的。」
https://i.imgur.com/8idlMpl.jpg
「大多數人現在都把漫畫跟超級英雄電影劃上等號,而這對我來說又新增了一份難處。打
從第一部提姆波頓《蝙蝠俠》以來,我就沒有再看過超級英雄電影了。它們害得電影為之
凋零,某種程度上也讓文化為之凋零。」
https://i.imgur.com/1YYvUfY.jpg
「我多年前曾說過,有數以萬計的成年人正忙著排隊,準備看那些五十年前專門為十二歲
男孩所打造的角色,這是一種很令人憂心的徵兆。彷彿他們想要逃離現代社會的種種複雜
難題,寧願重回自己記憶中的懷舊童年。這感覺起來似乎很危險,也讓所有人都幼兒化了
。」
「這也許只是巧合,但就在2016年,美國人選出了一位納粹橘子,英國人則投票脫離歐盟
,而在當年最賣座的十二部電影裡,就有六部是超級英雄電影。我不是說這兩件事有互相
影響,但它們都是源自同一件事的症狀──否定現實,並渴望過份簡化和訴諸感性的解決
之道。」
https://i.imgur.com/Ewp4wUj.jpg
「我的作品往往吸引到的都是成年讀者,然而這一點卻遭到漫畫產業加以商業化。很多報
章頭條都說漫畫長大了,但除了少數獨立作品之外,漫畫本身其實沒有長大。」
「這始於1980年代的圖像小說。人們想要跟以前一樣繼續閱讀漫畫,而他們現在可以在公
眾場合這麼做,卻仍然覺得自己很有教養;因為他們讀的不是兒童漫畫,如此一來就不會
被視為異常。成年漫畫發展得沒有我想像中的好,光從超級英雄電影仍然拍個不停一事來
說,就可以看得出來了。」
https://i.imgur.com/mXgfbPa.jpg
艾倫摩爾也坦承,自己仍然對超級英雄電影絲毫不感興趣。「我不看任何超級英雄電影。
這些角色全是從原作者手上偷過來的,每一個都是。它們背後都站著一長串的鬼魂。就漫
威電影來說,那個人就是傑克科比(Jack Kirby)。」
「我對超級英雄一點都不感興趣,它們是在1930年代末期為兒童們所發明的,而作為給兒
童們的娛樂,它們相當出色。但如果你想把它拍給成人看,那就變得有點怪異了。」
https://i.imgur.com/QW3jw5Q.jpg
「曾經有人跟我說,如果少了我的『蝙蝠俠:致命玩笑』,就不會有《小丑》電影了。但
在我寫出這本漫畫的三個月之後,我就不承認它是我的作品,它實在太暴力了。老天啊,
那可是蝙蝠俠,一個打扮成蝙蝠的傢伙。我越來越覺得,最棒的蝙蝠俠版本就是亞當韋斯
特(Adam West),因為他完全沒有認真看待這件事。」
「所有藝術形式都可以用來逃避現實,但它們也可以運用在其他方面上。想想那些挑戰既
定觀念的電影,那些難以輕易理解、傳達出不安訊息的電影。就文學來說也是一樣。但這
些超級英雄電影太常著重在逃避現實上了。」
https://i.imgur.com/ZgJ2AVT.jpg
儘管艾倫摩爾已封筆不再創作漫畫,但他可一點都沒有閒下來。他不僅就快寫完一本有關
魔術的新書,還在埋首創作一齣有關數學家約翰迪伊(John Dee)的歌劇,此外也有幾部
短篇小說即將問世,更在籌劃將《The Show》延伸成電視影集,完全沒有停下創作的腳步
,看來漫迷未來只會看到更多艾倫摩爾的作品。
https://reurl.cc/m9ROZM
--
https://i.imgur.com/kNPJZ4k.jpg
《守護者》原作者艾倫摩爾(Alan Moore)如今痛批,超級英雄電影不僅讓文化凋零,更
讓觀眾都變得幼兒化了。
筆下出產過「守護者」、「V怪客」、「蝙蝠俠:致命玩笑」、「開膛手」、「天降奇兵
」等不朽名作,英國作家艾倫摩爾無疑是近代最飽富盛名的美漫大師編劇,但他不僅因版
權問題而跟DC撕破臉,日後甚至還拒絕在所有改編電影裡掛名,不惜為此損失龐大的授權
費用,其離經叛道的作風向來為美漫迷所津津樂道。
鮮少公開拋頭露面的艾倫摩爾日前難得接受Deadline專訪,因為他如今終於要進軍影壇,
親自操刀一部黑色偵探奇幻電影《The Show》,電影由艾倫摩爾執筆、米奇詹金斯(Mitc
h Jenkins)執導、湯姆伯克(Tom Burke)主演。
電影舞台設於艾倫摩爾的家鄉英國北安普頓(Northampton),片中描述一名男性正在追
蹤一條失竊的項鍊,而這趟冒險旅程也帶領他走進了一個充滿犯罪和謎團的超現實世界。
https://i.imgur.com/T0CKj10.jpg
在2018年「天降奇兵」完結之後,艾倫摩爾已正式宣告從漫畫界金盆洗手,而他在訪談中
也提到了現在正蔚為熱潮的美漫電影現象。儘管他自己也是影響力無遠弗屆的美漫大師,
但艾倫摩爾對超級英雄電影可沒什麼恭維之詞。
艾倫摩爾解釋道:「我對漫畫已經不怎麼感興趣了,我不想再跟漫畫扯上關係。到了我退
休時,我已經寫了四十多年的漫畫。當我初次踏進漫畫界時,最大的吸引力就在於這種創
作媒介很通俗,它是畫來娛樂勞工階級的,尤其是小孩子們。」
「這個業界已經變了,現在都成了『圖像小說』,其訂價策略專攻中產階級。我對中產階
級沒什麼意見,但漫畫不該只為了中年愛好家而存在,它本來是給那些口袋裡沒什麼錢的
人看的。」
https://i.imgur.com/8idlMpl.jpg
「大多數人現在都把漫畫跟超級英雄電影劃上等號,而這對我來說又新增了一份難處。打
從第一部提姆波頓《蝙蝠俠》以來,我就沒有再看過超級英雄電影了。它們害得電影為之
凋零,某種程度上也讓文化為之凋零。」
https://i.imgur.com/1YYvUfY.jpg
「我多年前曾說過,有數以萬計的成年人正忙著排隊,準備看那些五十年前專門為十二歲
男孩所打造的角色,這是一種很令人憂心的徵兆。彷彿他們想要逃離現代社會的種種複雜
難題,寧願重回自己記憶中的懷舊童年。這感覺起來似乎很危險,也讓所有人都幼兒化了
。」
「這也許只是巧合,但就在2016年,美國人選出了一位納粹橘子,英國人則投票脫離歐盟
,而在當年最賣座的十二部電影裡,就有六部是超級英雄電影。我不是說這兩件事有互相
影響,但它們都是源自同一件事的症狀──否定現實,並渴望過份簡化和訴諸感性的解決
之道。」
https://i.imgur.com/Ewp4wUj.jpg
「我的作品往往吸引到的都是成年讀者,然而這一點卻遭到漫畫產業加以商業化。很多報
章頭條都說漫畫長大了,但除了少數獨立作品之外,漫畫本身其實沒有長大。」
「這始於1980年代的圖像小說。人們想要跟以前一樣繼續閱讀漫畫,而他們現在可以在公
眾場合這麼做,卻仍然覺得自己很有教養;因為他們讀的不是兒童漫畫,如此一來就不會
被視為異常。成年漫畫發展得沒有我想像中的好,光從超級英雄電影仍然拍個不停一事來
說,就可以看得出來了。」
https://i.imgur.com/mXgfbPa.jpg
艾倫摩爾也坦承,自己仍然對超級英雄電影絲毫不感興趣。「我不看任何超級英雄電影。
這些角色全是從原作者手上偷過來的,每一個都是。它們背後都站著一長串的鬼魂。就漫
威電影來說,那個人就是傑克科比(Jack Kirby)。」
「我對超級英雄一點都不感興趣,它們是在1930年代末期為兒童們所發明的,而作為給兒
童們的娛樂,它們相當出色。但如果你想把它拍給成人看,那就變得有點怪異了。」
https://i.imgur.com/QW3jw5Q.jpg
「曾經有人跟我說,如果少了我的『蝙蝠俠:致命玩笑』,就不會有《小丑》電影了。但
在我寫出這本漫畫的三個月之後,我就不承認它是我的作品,它實在太暴力了。老天啊,
那可是蝙蝠俠,一個打扮成蝙蝠的傢伙。我越來越覺得,最棒的蝙蝠俠版本就是亞當韋斯
特(Adam West),因為他完全沒有認真看待這件事。」
「所有藝術形式都可以用來逃避現實,但它們也可以運用在其他方面上。想想那些挑戰既
定觀念的電影,那些難以輕易理解、傳達出不安訊息的電影。就文學來說也是一樣。但這
些超級英雄電影太常著重在逃避現實上了。」
https://i.imgur.com/ZgJ2AVT.jpg
儘管艾倫摩爾已封筆不再創作漫畫,但他可一點都沒有閒下來。他不僅就快寫完一本有關
魔術的新書,還在埋首創作一齣有關數學家約翰迪伊(John Dee)的歌劇,此外也有幾部
短篇小說即將問世,更在籌劃將《The Show》延伸成電視影集,完全沒有停下創作的腳步
,看來漫迷未來只會看到更多艾倫摩爾的作品。
https://reurl.cc/m9ROZM
--
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