北藝大《無路可出》 - 舞台劇
By Robert
at 2010-03-28T19:20
at 2010-03-28T19:20
Table of Contents
我很喜歡這個劇本。我想先談劇本,這是最傑出的部分,三個鬼魂來到地獄,卻不是
他們所想到的景象。從發問「施刑者在哪裡?」至成為另兩人的施刑者的過程,有趣且殘
忍,背後的故事讓三人的關係相互牽制,也暗示三人汲汲追求的東西都是虛無、脆弱的,
男人要的名聲在死後便淪為他人恥笑的假象;女同性戀要的愛情在死後變成別人性愛的溫
床;女人要的自信更加不堪審視:建立在男人迷戀上的自信,在美貌褪去(甚至不用死去
,留待歲月蝕刻)便一無所有。
舞台設計讓空間變得冷酷,雖然開闊卻利用燈光變得壓迫。演員我獨鍾女同志的演出
,她殘忍但易碎,堅強的驕傲卻在遇上愛情時輕易折腰。飾演男人的演員在首演場吃了不
少螺絲,野心很大,但後勁不足;飾演女人的演員可以多些嬌嗲,笑容很美,演起來滿有
說服力的。
至於另一齣《九歌》,開場後不到五分鐘我就想走人,後來留下來看完,覺得很難過
,看得出來導演想要用現代的觀點去詮釋《九歌》,只是淪為仿冒,有點像是現在很多歌
星喜歡用古文篇名來當歌名,結果歌詞內容講的卻完全八竿子打不著。《九歌》很努力在
詮釋,可是卻有點不倫不類,最讓我痛苦的是音樂,一下芭樂偶像劇,一下變party,還有
三個合不上音的紅衣女巫,饒了我吧!
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舞台劇
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By Regina
at 2010-04-01T08:37
at 2010-04-01T08:37
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at 2010-04-02T10:26
at 2010-04-02T10:26
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at 2010-04-04T11:28
at 2010-04-04T11:28
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at 2010-04-06T12:37
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at 2010-04-09T09:55
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at 2010-04-10T11:09
at 2010-04-10T11:09
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at 2010-04-13T22:56
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at 2010-04-16T13:51
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at 2010-04-17T03:06
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at 2010-04-19T05:40
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at 2010-04-23T13:17
at 2010-04-23T13:17
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at 2010-04-26T20:10
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at 2010-04-28T14:11
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at 2010-04-29T15:01
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at 2010-05-02T14:26
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